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Movie· 1985· Released

"... und dann haben wir uns verabschiedet..." - Buttenhausen - ein Dorf zwischen 1933 und 1942

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Documentary

Buttenhausen, a village: 1933 - 1942 Television journalist Lea Rosh interviews residents and Jewish visitors in Buttenhausen about their memories of the coexistence of Christians and Jews in this village in the Swabian Alb. Her reports on everyday life under National Socialism shed light on the situation of the people at that time.

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Movie· 1998· Released

"..." Reel 1

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This work is in five reels (numbered, but called "reels" so that they don't take on the connotations of "Parts" - thus each simply a part of the "trail" of colored scratches, white scratches ((on black & white leader) which suggest, to me, a passage). The third "reel" combines these scratches with some motion picture film, mostly of the ocean. The fifth reel is the only one which has a sound track; but of course that makes the whole work a "SOUND film" because the audio track must be turned-on from the beginning.

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Movie· 1998· Released

"..." Reel 4

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Reel #4 of (...) is a recapitulation of the primary variations of scratched (on black leader) shapes and additive colors (i.e. those which are composed of toned light in the step printing process) as well as the solarizations (i.e. the combination of negative and positive images of the scratches) and the negative imagery itself (with its almost phosphorescent negative coloration): these visual themes (forms, textures and tones) eventually resolve themselves into an amalgam, as it were - something that seems "new", a "breakthrough", so to speak, but is actually combos of earlier variants.

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Movie· 1998· Released

"..." Reel 5

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Reel #5 of (...) is composed of scratch-imagery edited to music by James Tenney. The music starts accompanied only by black leader: then there is a sudden flare of pure white which begins to flicker with negative-colored ephemeral shapes, until finally the music and a fulsome mass of scratched images are accompanying each other. At times a distinctly different quality of colored image appears and continues for awhile (non-orange negative photography of painted film as well as picture images).

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Movie· 1984· Released

"..In the absence of heroes..” Part IV: Warfare/A case for context

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Part of a continuing series of works investigating social manifestations filling the gaps in our lives through media/corporate and government propagated images and idea(l)s. The videotapes present contextualized concepts/fragments of personal/emotional traumatic experiences and conflict. The influence of the media on the infliction, sustainment and interpretation of these conditions is studied while attempting to understand representations directed by the media, which affect personality and interpersonal relationships.

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