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“Apathy-Rise,” a parody of Coldplay’s Paradise by Niche Trio featuring Pierre Janssen, humorously explores existential themes from The Stranger and Antigone. It contrasts Meursault’s indifference with Antigone’s defiance, highlighting their opposing responses to absurdity and fate. Janssen’s feature adds commentary on their shared tragic outcomes, blending humor with literary insight. “Deadlines,” a parody of Drake’s Headlines, similarly examines existential struggle and inevitability in both works. Through clever wordplay and philosophical reflection, Niche Trio (Tysei Murao, Felix Janssen, Gabriel Reque Cruz) delivers an engaging and concise take on these timeless tragedies.

As Mallory finds herself being chased down by a classic slasher-villain, her best friend Tori gets closer and closer to saving her. But time is running out for both of them, as the physical and mental toll weighs down on her as she attempts to free Mallory from this murderous time-loop.

In the 1960s, the film production company Lisa Film, headed by Karl Spiehs, ushered in a new era in German film: the erotic film. This period, characterized by change and openness, produced numerous successful films that had a lasting impact on the genre in Germany and captivated audiences.

Ayu is a high school student who wakes up one day and finds herself leading a life which feels familiar but somehow strange to her. After running into a series of bewildering incidents, she comes to the conclusion that just like ALICE IN WONDERLAND she lands in a fantasy world where only an old and lonely businessman would talk to her. The man takes Ayu home to keep her warm and looks after her with love and care. Yet Ayu begins to behave bizarrely –she can’t recall anything she has done and falsely accuses the maid of stealing. The old man tolerates all these erratic behaviors, but as he has no one to share his burden, he is getting ever more desperate. Ayu feels the distant memories are hidden in her and she tries hard to retrieve them. However, she doesn’t realize her search for the lost memories has inflicted pain on people close to her. As the old man’s care and company gradually bring Ayu to her past, she finally understands that it is she herself that she has lost…

The adventure of a film that uses the real as matter, needs to keep an eye on any detail, any sign that would occur in the course that runs from the first take to the last final choice of editing, because each small event, each causal chain or each flashing chance, will determine the form and content of the film which at the beginning was only a possibility, a simple idea: make a film about the origins of jazz using as a backdrop its most important contemporary expression forum.

"BLOW THE NIGHT!" Let's Spend the Night Together is a 1983 Japanese docu-drama shot on 16mm film starring actual Yanki gang members as many of the main characters.

Video Footages of various different perspectives on the bus that took 2 years to collect. Before combining those perspectives together, upon the same temporal field to recreate the space of a bus…

"BUZZ!!" THE MOVIE is a home video by B'z, released on January 1, 1996. The film shows the majority of the setlist to B'z LIVE-GYM Pleasure'95 "BUZZ!!" in full, along with a great deal of backstage footage and interviews from various shows. The video was later issued on DVD on March 14, 2001, with two bonus tracks "Mou Ichido Kiss Shitakatta" and "Hadashi no Megami", along with three other older home video releases and the band's then-latest single, "ultra soul".

Featurette produced for the "Bats" DVD.

A stage adaptation of the manga of the same name.