
Canonical catalog
Discover
Popular
1000 titles


"Notes About the Sea: Composition on Red and Blue"
"Notes About the Sea: Composition on Red and Blue" is a mesmerizing documentary that artfully weaves together guerrilla-style footage and archival material, presenting a poetic narrative of the declining marine ecosystem. Through the eyes of the filmmaker, multiple storylines emerge, mirroring the ephemerality of life's natural rhythms. The film's evocative visuals showcase the stark beauty and harsh realities of a fading world, capturing the profound impact of human activities on marine life. As the sea's vibrant hues of red and blue unfold, so does a poignant call to action, urging us to safeguard the ocean's delicate symphony and restore harmony to its waning composition.

"Now I Am Yours"
A film on Saint Teresa that leads us through an unnervingly authentic extreme state of religious and sexual ecstasy. With the central image of the statue of Saint Teresa of Avila in Rome, together with glimpses of colour-saturated flower gardens, the Crucifixion and Baroque plasterwork, we listen to the gulping and frenetically clipped voice of the ‘saint’ pouring out her rapturous lament, attempting to express the unsayable. The film’s soundtrack combines a spoken voice by Nina Danino and performed vocals by New York experimental singer Shelley Hirsch.

"O, Kind God!"
"O,Kind God!"is another take on Kazuo Ohno. This moving testimony to the effects his physical evolution has had on his every-day life and dance reveals yet even more strongly that ever-present and life embracing emotions so characteristic of all his previous work. In his appearance in Venice (1999) and a series of performances in his home in Yokohama in 2001, Ohno powerfully demonstrated that his dance embodies life in all its aspects. (Now, though physically immobile), Ohno's very presence continues to exude emotion: it overflows with facial expressions and delicate hand movements; fluid as water and changeable as the sky. This documentary reveals what dance is truly about. Kazuo has given us something very precious.

"OG"
"A stranger breaks into Tony's house and forces him to kill his friend, Gangadhar, but later the truth about the stranger is revealed."
"Obrigatório Não Ver (Excertos)": Entrevista com Fernando Pernes / Exposição de Jochen Gerz
Film by visual artist Ana Hatherly.
"Of which we cannot speak we must sing!"
Mozart's The Abduction from the Seraglio: Why does this person speak and not sing? He longs to sing. Singing generally emerges when language becomes helpless. Ferdinand Raimund's magic plays The Alpine King and the Misanthrope and The Captive Fantasy. "For all happiness, we are loath to believe, at the end is only fantasy." Mozart's The Clemency of Titus: Servilia and Annius light a candle symbolising their love. From Mozart's last opera The Magic Flute: "The rays of the sun conquer the night and destroy the hypocrites' fraudulent power."

"Oh Dear"-ism II & Non-Linear War
Short film examining the global events of 2014 to reveal a chaotic morass, the reporting of which is increasingly difficult to comprehend in the context of the 24-hour news cycle and the internet. Screened during Charlie Brooker's 2014 Wipe special.

"On The Road" with Spike!
Obscure VHS Surf Tape from the 90s

"On Yer Bike"
Documentary report in which two young men from the North of England follow the Conservative MP Norman Tebbit's advice to get 'on yer bike' and travel 300 miles south to look for work in High Wycombe.

"On est les champions !"

"One Last Kiss” for EVA EXTRA 30
The Central Tower, a video experience device that stands in the center of the exhibition tour area "EVA EXTRA 30," displays six large LED monitors, each measuring 6m high and 4m wide, in a honeycomb pattern. Interacting with over 700 LED bar lights placed throughout "EVA EXTRA 30," visitors can enjoy an experiential visualization that reconstructs Eva's visual memories. Preparations are currently underway for a special performance, "One Last Kiss for EVA EXTRA 30," to be held alongside "One Last Kiss" (the theme song for the film "Evangelion: 3.0+1.0 Thrice Upon a Time").
"Open Space"Tiananmen Square - a Stage for History
"Opera."
The second teaser trailer for My Chemical Romance's 2025 North American tour.

"Opération dragon", la révolution Bruce Lee

"Origen. La semilla de los tiempos" Teatro de la Maestranza, Seville
With ‘Origen. La semilla de los tiempos’, the Accademia del Piacere, the Ballet Flamenco de Andalucía and the Teatro de la Maestranza take audiences on a musical dance journey somewhere between tradition and the avant-garde. Baroque music enters into dialogue with flamenco, travelling through the history of Andalusia in a story that gives pride of place to emotion, memory and scenic beauty.

"Our World" Wuhan: Life under Lockdown
Our World tells the story of life under lockdown. It is a film which takes you from the deserted streets to the homes of those battling the virus. How do you survive when daily life gets shut down?

"Over & Out"
Two childhood best friends turned lovers go on a rescue mission for a missing dog when a mysterious force causes pets and locals alike to disappear.
"PAMAJ" Movie
A supernatural sniper goes on the run from the FBI.

"PROYECTO 1"

"PROYECTO 1,2"

"PSO" Series 15th Anniversary Concert "Sympathy 2015" Live Memorial
Phantasy Star Online Series 15th Anniversary Concert: Sympathy 2015 Live Memorial is a three-part concert celebrating fifteen years of the Phantasy Star Online sub-series. Performed by the Sympathy Special Orchestra and featuring Annette Marie Cotrill, Takenobu Mitsuyoshi, Satomi Sato, Halko Momoi, Atsuko Enomoto, Ichitaro Ai, DF GIRLS, Marika Kouno, Riko Kohara and Yurika Takagi.

"PUNETE"
A tale about two friends embarking on a mysterious journey guided by a wizard.
"Painting" Sites
The first in a series of videos investigating the use of digital effects on appropriated imagery, "Painting" Sites compiles pictures arbitrarily yielded by an Internet search for the word "Painting," and peppers the resulting series of images with digital graffiti, courtesy of editing software. When Price began the piece, in 2000, automated image-search tools did not yet exist online; instead, the artist used text-based searches, taking arbitrary screenshots of each and every page that was returned and then cropping out all but the image, an approach that occasionally yielded visual hallmarks like improperly loaded data or the appearance of the cursor.