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Kousei Arima is a child prodigy known as the "Human Metronome" for playing the piano with precision and perfection. Guided by a strict mother and rigorous training, Kousei dominates every competition he enters, earning the admiration of his musical peers and praise from audiences. When his mother suddenly passes away, the subsequent trauma makes him unable to hear the sound of a piano, and he never takes the stage thereafter. Nowadays, Kousei lives a quiet and unassuming life as a junior high school student alongside his friends Tsubaki Sawabe and Ryouta Watari. While struggling to get over his mother's death, he continues to cling to music. His monochrome life turns upside down the day he encounters the eccentric violinist Kaori Miyazono, who thrusts him back into the spotlight as her accompanist. Through a little lie, these two young musicians grow closer together as Kaori tries to fill Kousei's world with color. [Written by MAL Rewrite]

Reeling from his crushing defeat at the Grand Prix Finale, Yuuri Katsuki, once Japan's most promising figure skater, returns to his family home to assess his options for the future. At age 23, Yuuri's window for success in skating is closing rapidly, and his love of pork cutlets and aptitude for gaining weight are not helping either. However, Yuuri finds himself in the spotlight when a video of him performing a routine previously executed by five-time world champion, Victor Nikiforov, suddenly goes viral. In fact, Victor himself abruptly appears at Yuuri's house and offers to be his mentor. As one of his biggest fans, Yuuri eagerly accepts, kicking off his journey to make it back onto the world stage. But the competition is fierce, as the rising star from Russia, Yuri Plisetsky, is relentlessly determined to defeat Yuuri and win back Victor's tutelage. [Written by MAL Rewrite]

Now that Kumiko Oumae has enrolled in Kitauji High School, she hopes to forget about her past. Despite her desire for a fresh start, she gets dragged into the school's band club by her new friends—Sapphire Kawashima and Hazuki Katou—and is once again stuck playing the euphonium. As the band currently stands, they won't be able to participate in the local festival, Sunfest, let alone compete at a national level. The band's new advisor, Noboru Taki, gives them a choice: they can relax and have fun, or practice hard and attempt to get into nationals. Not wanting to repeat her mistakes from middle school, Kumiko is doubtful as to whether they should try for nationals. Amidst the chaos, she learns that her old bandmate, Reina Kousaka (who she had a bitter relationship with) has joined Kitauji's band club. Under the pressure of Noboru's strict training, Kumiko and her bandmates must learn to overcome their struggles and find success together. [Written by MAL Rewrite]

Tatara Fujita is a shy middle schooler who has no particular plan for the future. He has gotten through life by avoiding any kind of confrontation and blending in with the crowd. But blending in isn't enough to get out of trouble, as some bullies harass him for money. Luckily, he is saved by a man named Kaname Sengoku. Kaname invites Tatara to his dance studio. Although he would normally never set foot in such a place, Tatara is captivated by Sengoku's commanding presence. Granted an opportunity to dance with fellow classmate Shizuku Hanaoka—who often practices at the studio—Tatara realizes there's something about the idea of being put in the limelight and dancing where people will see him that keeps him coming back. With an earnest, passionate drive to improve, Tatara begins his journey into the world of competitive dance. [Written by MAL Rewrite]

Jun Naruse is a chatterbox whose life is colored by fairy tales and happy endings. However, influenced by her deep belief in those tales, she is too naive and trusting, and her words soon shatter her family's bond when she inadvertently reveals her father's affair. Naruse is scarred for life after being blamed for her parent's divorce, and her regrets soon manifest into a fairy egg—a being who seals her mouth from speaking in order to protect everyone's happy ending. Now, even in high school, Naruse's speech remains locked by the fairy egg. Even trying to speak causes her stomach to twist. Though unable to convey her thoughts through words, she is unexpectedly chosen to perform in a musical alongside three other students: Takumi Sakagami, Natsuki Nitou, and Daiki Tasaki. Naruse makes her way to the club room to reject the daunting task, but changes her mind when she overhears Sakagami's beautiful singing. Perhaps the fairy egg "curse" does not apply to singing, and perhaps Sakagami is the fairy tale prince she has been seeking all along. Will Naruse be able to convey the anthem of her heart? [Written by MAL Rewrite]

Gen Kudou, a koto maker, believes that his delinquent grandson Chika would never understand the profoundness of the traditional musical instrument. In an attempt to make up for his naivety and understand the words of his late grandfather, Chika tries to join the Tokise High School Koto Club. Even though the club is in dire need of members, new club president Takezou Kurata is unwilling to easily accept Chika's application due to his bad reputation. Nonetheless, after seeing Chika's seriousness and enthusiasm, Takezou allows the problem child to join, along with koto prodigy Satowa Houzuki and three of Chika's energetic friends. Kono Oto Tomare! follows the merry band of musicians as they aspire to play at the national competition. [Written by MAL Rewrite]

Shinichi Chiaki is a first class musician whose dream is to play among the elites in Europe. Coming from a distinguished family, he is an infamous perfectionist—not only is he highly critical of himself, but of others as well. The only thing stopping Shinichi from leaving for Europe is his fear of flying. As a result, he's grounded in Japan. During his fourth year at Japan's top music university, Shinichi happens to meet Megumi Noda or, as she refers to herself, Nodame. On the surface, she seems to be an unkempt girl with no direction in life. However, when Shinichi hears Nodame play the piano for the first time, he is in awe of the kind of music she creates. Nevertheless, Shinichi is dismayed to discover that Nodame is his neighbor, and worse, she ends up falling head over heels in love with him. [Written by MAL Rewrite]

Yotarou is a former yakuza member fresh out of prison and fixated on just one thing: rather than return to a life of crime, the young man aspires to take to the stage of rakugo, a traditional Japanese form of comedic storytelling. Inspired during his incarceration by the performance of distinguished practitioner Yakumo Yuurakutei, he sets his mind on meeting the man who changed his life. After hearing Yotarou's desperate appeal for his mentorship, Yakumo is left with no choice but to accept his very first apprentice. As he eagerly begins his training, Yotarou meets Konatsu, an abrasive young woman who has been under Yakumo's care ever since her beloved father Sukeroku Yuurakutei, another prolific rakugo performer, passed away. Through her hidden passion, Yotarou is drawn to Sukeroku's unique style of rakugo despite learning under contrasting techniques. Upon seeing this, old memories and feelings return to Yakumo who reminisces about a much earlier time when he made a promise with his greatest rival. Shouwa Genroku Rakugo Shinjuu is a story set in both the past and present, depicting the art of rakugo, the relationships it creates, and the lives and hearts of those dedicated to keeping the unique form of storytelling alive. [Written by MAL Rewrite]

Starting his new term at Tanenashi High School, an unmotivated freshman searches for a club that requires minimal participation to suit his needs. He then comes across the magic clubroom, and inside is a cute upperclassman practicing her magic tricks. Suffering from stage fright that causes her to slip up in her acts, she has a tendency to end up in the most embarrassing situations. Despite having little interest in a club run by an incapable magician, the freshman finds himself involved as a new member, experiencing all sorts of awkward moments with his eccentric mentor. [Written by MAL Rewrite]

Following their success in the qualifying round for the Kansai regional competition, the members of the Kitauji High School concert band set their sights on the next upcoming performance. Utilizing their summer break to the utmost, the band participates in a camp where they are instructed by their band advisor Noboru Taki and his friends who make their living as professional musicians. Kumiko Oumae and her friends remain determined to attain gold at the Kansai competition, but trouble arises when a student who once quit the band shows interest in rejoining and sparks unpleasant memories for the second-year members. Kumiko also learns about her teacher's surprising past and the motivation behind his desire to lead the band to victory. Reaching nationals will require hard work, and the adamant conviction in each student's commitment to the band will be put to the test. [Written by MAL Rewrite]

The Tokise High School Koto Club has courageously pushed through their fractured and unsynchronized performance at the Kanto Region Traditional Japanese Music Festival. Club members Chika Kudou, Satowa Houzuki, Takezou Kurata, Hiro Kurusu, Kouta Mizuhara, Saneyasu Adachi, and Michitaka Sakai are devastated to learn the negative results of their performance, leaving them crushed. Nonetheless, the group recognizes their potential and enthusiastically agree to collectively sharpen their skills, improve their flaws, and develop higher caliber playing to succeed in the upcoming national qualifiers in winter. With the help of their now willing club advisor Suzuka Takinami, the group's goal gradually becomes achievable as they begin to grasp the foundations of good music and refine their koto-playing abilities, with the suggestion of performing more often to gain what they lack most—experience. However, as their journey to nationals is underway, the koto club members face challenges that obstruct their focus and progress. Not only does the threat of other powerhouse schools and musicians remain, but the high school issues of budding romance and soon-to-be-graduating seniors also begin to push the limits of the determined group of teenagers and the future of the koto club. [Written by MAL Rewrite]

Even after having risen to the utmost rank of shin'uchi, Yotarou struggles to find his own identity in the world of rakugo. Caught between his master's teachings and the late Sukeroku's unique style, his performance lacks an important ingredient—ego. And while his popularity packs the theaters, he is but one of the few; rakugo is under threat of being eclipsed. Meanwhile Yakumo, regarded by many as the last bastion of preserving the popularity of rakugo, struggles to cope with his elderly state. Even though his performances are still stellar, he fears that he is nearing his limits. His doubts grow stronger as an old friend creeps ever closer. Konatsu, for her part, attempts to raise her son as a single mother, which Yotarou is heavily opposed to. Instead, he seeks to persuade her to marry him and in turn raise her son as his own. In Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen, the curtains fall on Yotarou and Yakumo's story, tasked with restoring the near-obsolete art form as well as overcoming their internal conflicts. [Written by MAL Rewrite]

Joshiraku follows the conversations of five rakugo storyteller girls relating the odd things that happen to them each day. Their comedic and satirical chatting covers all kinds of topics, from pointless observations of everyday life, to politics, manga, and more. Each girl has something new to add to the discussion, and the discourse never ends in the same place it began. Each of the rakugo girls has their own unique personality, with the energetic but immature Marii Buratei; the seemingly cute Kigurumi Haroukitei; the inherently lucky and carefree Tetora Bouhatei; the calm and violent Gankyou Kuurubiyuutei; and the pessimistic and unstable Kukuru Anrakutei. These girls—and their mysterious friend in a wrestling mask—give their observations to the audience, either backstage at the rakugo theater or in various famous locations around Tokyo. [Written by MAL Rewrite]

In a fairy tale come to life, the clumsy, sweet, and gentle Ahiru seems like an unlikely protagonist. In reality, Ahiru is just as magical as the talking cats and crocodiles that inhabit her town—for Ahiru really is a duck! Transformed by the mysterious Drosselmeyer into a human girl, Ahiru soon learns the reason for her existence. Using her magical egg-shaped pendant, Ahiru can transform into Princess Tutu—a beautiful and talented ballet dancer whose dances relieve people of the turmoil in their hearts. With her newfound ability, Ahiru accepts the challenge of collecting the lost shards of her prince's heart, for long ago he had shattered it in order to seal an evil raven away for all eternity. Princess Tutu is a tale of heroes and their struggle against fate. Their beliefs, their feelings, and ultimately their actions will determine whether this fairy tale can reach its "happily ever after." [Written by MAL Rewrite]

At Shirahamazaka High School, a special recital is held every year in which music students are able to showcase their talents in front of professionals and other prestigious guests. Third-year Konatsu Miyamoto desperately wants to sing in her last high school recital, but because she screwed up the year before, the vice principal has barred her from participating. That's when Konatsu comes up with a new plan to get involved; instead of joining the official choir, she'll form her own singing club with her friends! Unfortunately this proves to be harder than she imagined. Her friend Wakana Sakai has given up on singing, for one, and Konatsu needs more than just two members. With only a month left until the recital, will Konatsu be able to find enough members for her club and actually be ready to sing at one of the most important events of the school year and graduate without regrets?

Liz's days of solitude come to an end when she meets a blue bird in the form of a young girl. Although their relationship blossoms, Liz must make a heart-wrenching decision in order to truly realize her love for Blue Bird. High school seniors and close friends Mizore Yoroizuka and Nozomi Kasaki are tasked to play the lead instruments in the third movement of Liz and the Blue Bird, a concert band piece inspired by this fairy tale. The introverted and reserved Mizore plays the oboe, representing the kind and gentle Liz. Meanwhile, the radiant and popular Nozomi plays the flute, portraying the cheerful and energetic Blue Bird. However, as they rehearse, the distance between Mizore and Nozomi seems to grow. Their disjointed duet disappoints the band, and with graduation on the horizon, uncertainty about the future spurs complicated emotions. With little time to improve as their performance draws near, they desperately attempt to connect with their respective characters. But when Mizore and Nozomi consider the story from a brand-new perspective, will the girls find the strength to face harsh realities? A spin-off film adaptation of the Hibike Euphonium! series, Liz to Aoi Tori dances between the parallels of a charming fairy tale, a moving musical piece, and a delicate high school friendship. [Written by MAL Rewrite]

Setsu Sawamura runs away from his small home village following the death of his grandfather, the legendary shamisen master Matsugorou Sawamura. On his deathbed, Matsugorou told Setsu to give up the shamisen if he was only going to imitate others instead of playing in his own way. Grieving, Setsu heads for Tokyo, hoping that the big city can inspire him to discover his own unique playing style. But Tokyo defies his expectations by drowning out all other sounds with the deafening noise of its city life. Concerned about her son, Setsu's rich and successful mother, Umeko, waltzes back into his life and forces him to enroll in Umezono Academy. At the school, he meets Shuri Maeda, a girl who is fascinated by the Tsugaru shamisen and wishes to perform a song her grandmother once heard a long time ago. Shuri starts up a shamisen appreciation club and convinces Setsu to teach the members how to play the instrument. As he becomes more involved with the club, will Setsu be able to recover his love for the shamisen and discover the unique sound he lacks? [Written by MAL Rewrite]

A tranquil tale about two boys from very different upbringings. On one hand you have Kai, born as the son of a prostitute, who's been playing the abandoned piano in the forest near his home ever since he was young. And on the other you have Syuhei, practically breast-fed by the piano as the son of a family of prestigious pianists. Yet it is their common bond with the piano that eventually intertwines their paths in life. (Source: KEFI)

Shinichi Chiaki is quickly making a name for himself as the principal conductor of the revitalized Roux-Marlet Orchestra, and Megumi "Nodame" Noda has made leaps and bounds as a pianist at the Conservatoire de Paris. However, tensions mount between the two as Nodame feels left behind by Chiaki's growing success and his close friendship with legendary piano prodigy Rui Son. Disregarding her teacher Professor Charles Auclair's advice, Nodame enters another piano competition in an attempt to jumpstart her own performance career. Meanwhile, those around Chiaki and Nodame are at their own crossroads. Rui begins to doubt herself after hearing Nodame's playing and being denied tutelage from Auclair; Maestro Franz von Stresemann faces the reality of his mortality; pianists Yunlong Li and Tatiana Vishneva feverishly prepare for a competition, while the latter also struggles with her growing feelings for oboist and fellow student Yasunori Kuroki. As Chiaki, Nodame, and their friends continue on their respective journeys, they must not only strive to stay true to themselves, but also remember where it all started. [Written by MAL Rewrite]

Shinichi Chiaki conquers his fear of flying, and Megumi "Nodame" Noda's exceptional performance at a piano competition earns her an invitation to study at the prestigious Conservatoire de Paris. The pair go to Paris together to take the next step in their careers: Chiaki as a new rising conductor under the wing of the great maestro Franz von Stresemann, and Nodame as a pupil of the esteemed piano professor Charles Auclair. But, of course, the music world is much bigger than the two of them could have ever imagined. Chiaki and Nodame, alongside old friends and new rivals, must fight and persevere to reach the dazzling musical heights that await them while never losing sight of what matters most. [Written by MAL Rewrite]

The rivalry between three piano geniuses in Towa Hall starts with the prodigy Kousei Arima. While his emotive first performance enamors the free-spirited Emi Igawa, Kousei eventually evolves his technique to become exact and precise, finding himself a new follower in the eccentric Takeshi Aiza. Unbeknownst to outsiders, the two other players begin to target Kousei with their respective performances. Emi attempts to convert Kousei back to his old self with her vibrant playing, while Aiza turns his admiration for Kousei into motivation to beat him at his own game. [Written by MAL Rewrite]

At the tender age of 14, high school student Naru Sekiya finds that she pales in comparison to the fairy tale princesses she adores so much, not to mention the ideal girl she wants to be in contrast to her peers. Her childhood friend Yaya Sasame is enjoying herself with her school rock band, while her other childhood friend Tami Nishimikado is a member of the student council. Desiring the strength to take the next step forward, Naru has wanted a magic key to open her timid heart since the start of high school. During one moonlit night, Naru encounters what she believes is a cute fairy standing atop a torii gate who shortly invites her to dance with her. The next day, she discovers that the "fairy" was not only just an ordinary girl, but also a transfer high school student from America! Excited to meet Naru again, Hana N. Fountainstand encourages her to help her start a club for yosakoi, a festive type of Japanese dance that Hana has been entranced by since childhood. Though initially terrified of Hana's enthusiasm and the thought of being seen dancing, Naru slowly finds herself immersed in the art of yosakoi and assisting her new friend achieve her dream—for the path for a maiden such as herself is at the mercy of the wind! [Written by MAL Rewrite]

Shoutarou Futaba has always loved sports, but he never became more than a benchwarmer on his middle school baseball team. After noticing a group of gymnasts practicing in the park, he decides to watch a rhythmic gymnastics tournament on a whim. Although displaying an exhilarating performance at the competition, the Shoushukan High School's Rhythmic Gymnastics Club places second-to-last due to penalties acquired from not fielding a full six-man roster. The demonstration of skill captivates Shoutarou, and he decides to enroll at Shoushukan in hopes of joining the team despite having no background in the sport. The club recruits him alongside Ryouya Misato, a prodigal gymnast who was the runner-up in a junior tournament. Now with a full six-man roster, the team sets out to compete in the upcoming Inter-High tournament. As he strives to accomplish this ambitious endeavor, Shoutarou must learn and master the basics of rhythmic gymnastics all while working in tandem with his new teammates if Shoushukan wants to stand a chance at claiming the title. [Written by MAL Rewrite]

Born and raised in the countryside of Japan, Hinako "Hina" Sakuragi gets anxious easily when she talks to new people—so much so that she resembles a stiff scarecrow. To overcome this, Hina hopes to get involved in theater, inspired by a play she saw during her school's field trip. So, Hina moves into the Hitotose Manor in the bustling city of Tokyo to study at Fujiyama High School, aspiring to join the school's renowned theater club. But to Hina's dismay, she learns that Fujiyama High's theater club has been on a lengthy hiatus. Having already come to Tokyo and enrolled in the school, Hina is at a loss for what to do next. Sensing her disappointment and eagerness to learn theater, Chiaki Hagino, the landlady of Hitotose Manor, encourages Hina to create a troupe with the residents of Hitotose Manor as its members. Hinako Note follows Hina as she begins a new life in Tokyo attending Fujiyama High while learning the ropes of theater with the support of her friends along the way. [Written by MAL Rewrite]