Discover

A Shaw and Sons production

Vasoula is a poor girl who works as a secretary for a cranky older lady, Ms Kleio who loves novels with knights and lives secluded in her mansion with her butler Aristeidis. One day, in the absence of Ms Kleio, Vasoula is visited by a couple, Popi and Mitsos Bezestainis who ask if they can stay. The sudden return of Ms Kleio causes great upheaval kai Vasoula is forced to introduce Mitsos as her husband, who is a sailor and often away. When Ms Kleio dies, she leaves her entire estate to Vasoula whom she mentions in her will as "wife of Dimitrios Bezestainis". Now, the problems begin, and they can only be solved when Vasoula marries Mitsos.

The film is based on an uncut music composition by Montreal composer José Evangelista

Backstage musical: showbiz couple fusses and breaks up, then resolve their problems just before the end.

Three brothers watched as pupil their sister and only trust George, their teammate from the football club where they play. George loves her secretly but not admitting to respect the trust

On the 50th anniversary of Shostakovich’s death, La Scala opens the Season with his masterpiece Lady Macbeth of the Mtsensk District, based on the novella by Nikolai Leskov. After its premiere in St. Petersburg, the opera – which was intended to be the first part of a trilogy on women’s condition in Russia – enjoyed great success at home and abroad. Stalin attended a performance in Moscow in 1936; two days later, the famous denunciation titled “Chaos Instead of Music” appeared in Pravda, through which the regime blacklisted the opera and its composer. Years later, Shostakovich prepared a new version that was staged in Moscow in 1963 under the title Katerina Izmailova, after Superintendent Ghiringhelli had unsuccessfully tried to secure its premiere for La Scala. Today, the theatre presents the original 1934 version, conducted by M° Chailly and the debut of director Barkhatov.

Romantic biography of Swedish opera singer Jenny Lind and her famous affairs.

When the beloved cellist of a world-renowned string quartet is diagnosed with a life threatening illness, the group's future suddenly hangs in the balance as suppressed emotions, competing egos and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert — quite possibly their last — only their intimate bond and the power of music can preserve their legacy.

The Tigers, a rock band, escape their parents and teachers trying to forcibly cut their long hair, but accidentally stow away on a train to Tokyo. In Tokyo they get in some trouble, but eventually get jobs as musical assistants. Can they make the stage debut they've always dreamed of, or will their dreams be cut short?

John Legend and Chrissy Teigen celebrate with friends, family and song.

A Letter Home is the 35th studio album by Neil Young. Released on April 19, 2014, it was produced by Young in collaboration with Jack White of The White Stripes. The album was recorded in a refurbished 1947 Voice-o-Graph vinyl recording booth at Jack White's Third Man Records recording studio in Nashville, Tennessee.

James and Linda struggle to take care of her nephew, and his grandma, but when they receive more bad news, their only solution is to retreat to a fantasy.

Successful classical flutist Pauli returns to his small hometown after a breakdown. Reconnecting with old schoolmate Iiris, he is drawn into experimental music. Pauli, who has always sought perfection, is drawn to her chaotic energy, and finds comfort in their sonic experiments.

a final film of director Sung Tsun Shou.

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.

A child from the New York tenements sings on a radio quiz show and is eventually hired to a big-bucks contract, which allows her and her family to move into a posh apartment, with all the usual problems that accompany sudden wealth.

Cảm Ơn Người Đã Thức Cùng Tôi is an emotional journey of young people searching for answers to the question, “What is your dream?”—only to discover, as they step into adulthood, that the most important question becomes, “Who do you want to pursue that dream with?”

A three reel Vitaphone musical short; Vitaphone production reels #1624-1626. Molly Picon's first American film and her talkie debut.

Martha Tilton sings in this Soundies film from 1941, with Slate Brothers, and Ben Pollack and His Orchestra accompanying.

A tangled web of affairs is weaved around actress Desirée Armfeldt and the men who love her: lawyer Fredrik Egerman and Count Carl-Magnus Malcom. When Desirée's show travels through Fredrik's town, the estranged lovers' passion rekindles.

When everybody is asleep at night, the objects in the cabinet make music. A meddlesome cat is the last thing they need.

Inspired by Ingmar Bergman's Smiles of a Summer Night, a tangled web of affairs is weaved around actress Desirée Armfeldt and the men who love her: lawyer Fredrik Egerman and Count Carl-Magnus Malcom. When Desirée's show travels through Fredrik's town, the estranged lovers' passion rekindles.

The actress Desiree Armfeldt becomes entangled with multiple intersecting love affairs, which all converge for an evening at the Viennese country estate of her mother, a former courtesan.

The con­cert begins. The music is sub­lime. Not even a pin would dare drop. Sud­denly, a cell­phone rings and the mad­ness starts. The pianist loses his hand, the vio­lin­ist, while tun­ing, falls asleep, and later wakes up in the mid­dle of a motor­way, trans­formed into a “River­dancer”. When the pianist returns, the piano is locked, telling him to insert his credit card. Mean­while, the vio­lin­ist loses his bow to a vac­uum cleaner and his part­ner just talks on the phone while read­ing a paper, eat­ing, and, play­ing the piano upside down all at the same time. These and many other “night­mares” unfold before audi­ences’ eyes and ears. “A Lit­tle Night­mare Music” is a unique show, full of vir­tu­os­ity, enchant­ing music and zany, out­ra­geous humour. Ideal for audi­ences aged 8 to 88, this show is sure to cap­ti­vate you and crack you up whether you’re a clas­si­cal music enthu­si­ast or the type who runs for cover, at the mere men­tion of Mozart.