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In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

Aladdin's Other Lamp is a 1917 American silent fantasy-comedy film directed by John H. Collins.

In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes. Filmed at the Prince Edward Theatre in London's West End.

Aladin, an orphan tormented by bullies, discovers a magic lamp that grants him incredible powers. Later, with the help of a genie, he embarks on thrilling adventures to defeat the evil Ringmaster.

A remake of Aladin dengan Lampoe Wasiat (1941), which was remade again in 1980.

The story of Aladin is one of the most beautiful and well known fairy tales from "the Arabian nights". Aladin is the son of a poor tailor. But with the help of Dschinni, a friendly ghost, he achieves luck and wealth. And since this is a fairy tale, he marries the sultan’s beautiful daughter in the end.

Aladin, a teenage orphan, finds a pile of treasure through a sorcerer who claims to be the older brother of his late father. In that place, he finds a magic lamp.

Aladin, the son of a poor widow, continues living modestly although he owns the magic lamp. The lamp is only used on special occasions, such as when the Wazir commands him to. Finally, when he is threatened, Aladin uses the magic lamp to defeat the evil Wazir and inherit the kingdom’s throne.

Adnan, like everyone else, has heard the myth of the genie in the lamp. After moving into a new place, he discovers a lamp. What happens when the myth turns real, granting him three wishes?

When an old widow passes away, the police searches his house and finds his son locked in the basement. They take the boy to an institution, where it is discovered that he possesses supernatural powers.

A new nanny takes on the care of two children after a family tragedy. She discovers supernatural secrets about the children's lineage and must protect them from dangerous threats.

A monkey king who learns the secrets of magic goes on a spree and causes no end of aggravation for the gods, who finally imprison him. In order to make up for all the trouble he's caused, he is sent on a mission to accompany a prince who is the son of the gods on a journey through a land filled with dangers, monsters, cannibals and demons.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.