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A film about the end of the world and the end of a roll of toilet paper. In his deftly playful work shot on 16mm, filmmaker (and musician) Ondřej Vavrečka reminisces, says his farewells and also reflects on the limits of progress. Via three fictional characters, each of whom responds differently to the impulses of their surroundings, he simultaneously enhances the sensitivity of the film audience. Will a pain we experience leave a scar or merely a colourless memory? And will someone remember the old Vysočany station a hundred years from now? In its poetic charm this cinematic piece is almost tactile in nature; it awakens all the senses and, in places, bears the hallmark of Jan Švankmajer, if the latter had been born an essential optimist, that is. Film as a whisper emanating from smiling lips. (Viktor Palák, KVIFF)

Award winning short documentary that demonstrates women's problems in Afghanistan. The film consists of 3 parts: 1. The women who are self-immolating and the reasons of self-immolation. 2. Underage marriages. 3. Those sorts of women who are referring to attorney for solving their family problems.

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

The history of numbers from simple addition to the development of complex mathematical items.

Sinikka has by chance made acquaintance with her downstairs neighbour Vilja and asked her for help. Clutter has taken over Sinikka’s home and there is only a small human-sized pathway left in the apartment. As a window renovation is approaching, Sinikka needs to clear 1,5 meters empty space. A short documentary of friendship and its meaning in giving and receiving help.

A tour-documentary about the german punk-band "Slime".

Different costumers shop in a supermarket that sells words and ideas.

So, essentially, from what I can glean, the “Minions” are a series of films about these little yellow creatures, a sickly old man and also his wife (?). They sing and dance to popular songs and they have all been very friendly to me. This is a film about a theme park in Singapore.

The film tells the story of A. Bikše's object "1/10 of Mother Earth's Office" in the Great Cemetery, the oldest cemetery in Riga. After its closure, there were plans to create a park here, but at present it looks like a place abandoned to fate, used mainly by drunkards, mothers with prams and dogs. A confrontation between the opinions of cultural critic P. Bankovskis and artist A. Bikše on the fate of the cemetery, the contemporary meaning of art, and the creation of the art object itself.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

Macedonian mockumentary.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

For decades, Mart’s life revolved mainly between his radio work and the iconic Valli Bar. Now, in his later years, he lives in a care home, having spent the last three years battling Ataxia. Smoking remains one of the few pleasures he still has. “If I didn’t smoke, I wouldn’t even have a reason to get out of bed,” he says. Reaching the designated smoking area is a major effort — it takes him about 20 minutes to shuffle down the corridor with five-centimeter steps, turning corners, and taking breaks. But once there, under the sky, Mart shares his story with biting humor and sharp wit. His greatest wish? To visit Valli Bar one last time — the place where he once met the love of his life.

How can we best meet every earth citizens need for healthy food facing our limited resources? Regarding the almost 10 billion humans living on earth by 2050, we have to decide now how we want to shape the future of agriculture.

10 Buildings that Changed America presents 10 trend-setting works of architecture that have shaped and inspired our American landscape. These aren’t just historic structures by famous architects. These buildings have dramatically influenced our built environment in many ways – and in one case, for over two centuries.

Paulo Cesar Pereio is an unique figure in the history of Brazilian cinema. Winner of a number of awards and with a career that spans from legendary Cinema Novo features to erotic comedies and many other kinds of projects, Pereio remembers the roles of his life in a number of interviews.

Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads. The guitar-slinger is featured with the Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with Ten Days Out...Blues From The Backroads.

10 Days with Kiarostami

Ten years ago this summer, she said the historic sentence: “We can do it”. In the WDR interview, Angela Merkel speaks publicly for the first time with refugees about the refugee movement of 2015.

10 Letters to the Future is a documentary film that is a mid-term review in a world of intertwined crises. It is a puzzle, a kaleidoscope that enables a multi-voiced debate in society. The collectively made film was conceived in the era of the Coronavirus, when the reality of global anomalies pierced everything we took for granted. It was a time that caused many to reassess their lives in a new light. What happened to us and what kind of future do we want to be heading towards? Virus researcher, climate activist, political scientist and anti-vaccine protesters see the future challenges facing our society in a very different light. As the virus takes over the world, schoolchildren start collecting letters to be encapsulated in a wooden coffin built by students to be opened more than 50 years from now. The main characters in the documentary write their letters, addressing their loved ones or something unknown in the future.