
...und die Bibel hat doch recht
Film adaptation of Werner Keller's bestselling non-fiction book, which attempts to show in a "less spectacular way than the original" that archaeological finds and findings do not contradict biblical statements.
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Film adaptation of Werner Keller's bestselling non-fiction book, which attempts to show in a "less spectacular way than the original" that archaeological finds and findings do not contradict biblical statements.
The year is 1945. The final battle for Vienna has begun. Hitler declares the capital of the "Ostmark", as Austria was called then, a stand-off of the Third Reich against the Red Army; a last attempt to turn the tables yet. A group of Austrian resistance fighters recognize the impossibility and enable the Russians to occupy the city - this action was known as the "Radetzky Operation" - and with it Vienna was saved from complete destruction by the Allies. The operation was headed by Carl Szokoll.
Latvians have always fought under foreign flags, but have always wanted to return to their homeland.

Have you ever known who was calling before you answered the phone, or felt you were being watched while in an empty room? Is it possible to exist across multiple worlds simultaneously? When her young daughter insists she’s sometimes human and sometimes an animal, filmmaker Phie Ambo wonders what else might exist outside a singular human consciousness. Committing to the principal of randomness, she plumbs the minds of various leading thinkers, from the father of string theory to a Buddhist monk, from a clairvoyant to a janitor. Just as impressive as their fascinating ideas, however, is the visual correlative of this ever-deepening metaphysical query. Who would expect the mysteries of existence to lurk inside the grease trap at an amusement park or in a single cup of tap water? Prepare to have your reality permanently altered by this mind-boggling, impossible and thoroughly compelling film.
Documentary montage film by Alexander Vartanov, a subjective look at the beginning of the 21st century in Russia

.TV is a found footage essay film: Voicemails left by an anonymous caller from the future guide us to the remote islands of Tuvalu, a place the global media has described as “the first country to disappear due to rising sea levels”. Surrounded by thousands of miles of open water, much of Tuvalu’s revenue comes from its country-code web extension .TV, a popular domain choice among global video-streaming and television industries. The caller describes how heat, digital screens, and distance gave him no choice but to leave his sinking home and escape into cyberspace where rising waters will never reach him.

Raves are the pinnacle of creating safe spaces; houses creative expression through music, fashion, and icons that promote community building. We follow D Waviee, a DJ and a trans icon in the Filipino rave scene, while we get a glimpse of the local rave scene—as she closes the night of queer joy, with her music.

A short documentary about the First Kyrgyz Revolution, also known as the Tulip Revolution, and its aftermath.

Floggers: a passing fad or a new culture that will endure? Another strategy to induce teenagers to consume excessively? These questions are unraveled in this documentary by the protagonists of the phenomenon: shopkeepers, hairdressers, teachers, and, of course, the floggers themselves.

The Tampa Bay Buccaneers losing their first ever 26 games.

A poignant insight into the world of sport, where talent, passion and endurance mean everything, but give no guarantee of success.

This is the story of a man who challenged his country’s institutions by proclaiming himself legitimate president. This is the story of how the controversial Andrés Manuel López Obrador, who led the polls during 4 years, lost the election by less than half percent. It all begins while he is still Mexico City’s mayor, up to his self proclamation as president and his actions during the first days of Felipe Calderón’s government.

To support his mother in Mexico, Angel, a nude dancer, turns the web into his new stage.

In anticipation of the 25th chapter in the iconic James Bond Saga, based on the novels of British writer Ian Fleming, Sabbatical Entertainment presents "For Our Eyes Only" an enthralling documentary that recounts and relives all of 007's menacing missions throughout this legendary cinematic franchise, from 1962's premiere of "Dr. No", to the highly anticipated "No Time To Die."

Original archival footage of the opening of the Albert R. Broccoli 007 Stage at Pinewood Studios, Buckinghamshire, England.
A look at filming James Bond in Egypt.
"00s" is an outspoken criticism of the Putin regime - a chronicle of lost time. The unvarnished film talks about corruption, censorship, flashing lights, emigration and immigration, a commodity economy and much more, which is not accepted on central television.
When taking the train home, I always feel that some parts of myself cannot keep up with the moving carriage, and I feel that the order of my mind is also disrupted. The trivial matters that happened during this period began to appear in my mind, and the boundary between reality and memory began to blur…

Typically, every year, May 1st opens the summer season, always crowded with crowds that rush to the seaside to mark the start of summer with joy and gusto, on which occasion going out of town becomes an event. In 2020, however, May 1 comes with a muted and deserted atmosphere. In contrast to the usual days of May 1, this year, the silence and desolation of the sea were the consequences of the extreme quarantine of that period, in the midst of a global pandemic.
0116643225059 is an early experimental film by Weerasethakul made during his time at SAIC. The work is about a long-distance telephone conversation between the filmmaker and his beloved mother in Khon Kaen, Thailand. Weerasethakul superimposed a photograph of his mother in her youth alongside his own image and his apartment in Chicago. It renders a strong bond between the artist and his family.

A radiology of Tehran bay homeless and migrant civil workers.

The search for truth of the 16 families of technicians killed in the April 23rd, 1999, NATO bombing of the Radio Television Serbia building.

03-FLATS follows the domestic experiences of three single women who are at different stages of their lives. It records how domestic resilience might resist the ennui of mass housing, turning housing into home.

The sound of billiard balls on a table, a montage series from television shows, steam rising from a bowl of instant noodles, reflections in the window of a public bus, a sun dressed in drab army green, daze caused by intermittent sleep, and the words hidden in a telephone card. The old wait for their coffins, the young wait to leave the island, the recruits wait and count the number of days before discharge, the rocks wait for people to come back, and I wait for the end of the film.