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Of the eight billion humans populating Earth, how can we conceive of ourselves as unique while simultaneously belonging to the grand and kaleidoscopic primordial soup? Meandering scenes, ranging from playful and natural to industrial and menacing, coalesce with a sound design by the legendary Spinvis to create this poetic and hypnotic virtual reality exploration of our place in the world. For fans, the live experimental musical accompaniment is not to be missed.

My name is Gabriel and I live in Taipei. I have lost my wife during an assault. A red-haired man came to me, he smelt of fried fish. He had a gun and he shot my family. Since, I feel empty as if I had a hole in the head.

An anthology of 8 and ¾ macabre and absurd jokes. Witty souls of the dead, genocidal animals, lethal sport performances, medical appointments. Each life ends with death, though in different ways.

Pictures taken between France and Mexico running at 8 frames per second.

An abstract film on the music 'Unfinished' 8th Symphony, part 1, by Franz Schubert by Oerd van Cuijlenborg

The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.

Dozens of film enthusiasts come together to intervene and recreate already filmed 16mm

Dozens of film enthusiasts come together to intervene and recreate already filmed in s8

When 9 first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good.

A rag doll fights a monster that has been stealing the souls of his people.

The ocean is paradise for Fran the shrimp. Nothing escapes her deadly pincers. For the blind fish Milva, it's a daily struggle for survival.Fran finds her magnificent and wishes she could see the ocean that way too. Will they be able to overcome their differences ?

By mixing abstraction, collage, drawing animation the author invites us into a spontaneous and unsystematic research of potential of the animation and leads us into the world of irrepressible imagination.

A cat meets the end of its life (or lives?).

An adult animated movie about gender relationships.

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.

Ralph Phillips is overjoyed when he runs out of Fort Itude, because he's a civilian again. Things, however, don't go well for him when he gets home, and two pixies named Pete and Re-Pete convince him to stay in civilian life or go back to the army. At the end, Ralph chooses to go back to the army

Out of the blue. A cubist-stylized human body runs after a mask that serves as its head. The character evolves through a survivalist run into a cgi world of polygons and lights that evokes successively concepts such as urban chaos, industry, painting, dream and alien worlds.

In vast mountain landscapes, high-rise buildings rise. They are empty. The mine eats slowly under them. It rattles in the houses at night when the ore is mined. In one of these demolition houses settles a woman who in her loneliness begins to hear voices. The voices come from a book. It is the voices of the miners that speak. She makes the voices and the former tenants a part of her everyday life. Until one day ...

A man is walking along the beach. Then a demon, the man’s pain, appears and chases him. The pain is unbearable, coursing through his entire body. He somehow manages to get away, but eventually, he returns to the ocean even though he knows that the demon will appear again if he goes there.

Making use of a dizzying array of anti-gay protest footage captured and posted on the internet, Mead’s protagonist bears witness to the fractures, shifts and resistances that have brought us to this time in LGBTQ history.

Two former virtual friends reconnect in the abandoned servers of a mysterious massively multiplayer online video game. When one of them claims to have found a long lost easter egg in the game, reality begins to break.

With the memory of an online relationship he had with a girl in his teenage years, @YOU embarks on a journey in which he reflects on distance, love, fragility and the uncertainty of knowing the whereabouts of the girl who, a few years ago, said goodbye saying that she would end her life.